A "robot tax" is a levy on companies that automate human jobs, with the rate rising with the number of workers displaced.

A "panda bond" is a loan (bond) sold inside China's domestic bond market by a foreign borrower and paid back in Chinese yuan (RMB). Recently, the Brazilian government announced its plan to become the first Latin American sovereign to issue a panda bond.

A "panda bond" is a loan (bond) sold inside China's domestic bond market by a foreign borrower and paid back in Chinese yuan (RMB). Recently, the Brazilian government announced its plan to become the first Latin American sovereign to issue a panda bond.

Jamaica's anti-sodomy and public morality laws have long sanctioned violence and discrimination against queer people. In recent years, the queer movement in Jamaica and its advocacy groups (e.g., J-FLAG, TransWave) have grown more visible and influential. Although formal arrests are now rare and police sometimes provide limited protection for events like Pride, officers regularly intimidate and harass queer people.

IntenSync is a hypothetical technology that lets one person, upon mutual consent, access another’s genuine intentions and feelings within a relationship. Once activated, it reveals those present intentions and emotions to both parties—including any suppressed desires directed at the other person. IntenSync does not expose past actions or any private thoughts beyond current intentions and feelings.

In 2021, the Kunsten Museum of Modern Art Aalborg invited artist Jens Haaning to take part in Work it Out, an exhibition about modern working life. The museum commissioned Haaning to recreate two of his works—An Average Austrian Year Income (2007) and An Average Danish Year Income (2010)—fronting him approximately DKK 532,549 (USD 84,000) in cash to display inside the frames. Instead of the agreed-upon reproductions, Haaning delivered the museum two blank canvases titled Take the Money and Run (2021), accompanied by a single-line email explaining that the blank frames should replace the older works. In a subsequent settlement, Haaning returned the museum's money and agreed for the museum to display the blank frames, alongside a printed version of Haaning’s email, as the exhibition's new work.